The convergence of science and art in recent decades has generated new visual directions, especially in the sphere of bioart and biomimetic art. Histology, as the microscopic study of tissues, offers a formal repertoire of great complexity, characterized by regularity, modularity and interconnectivity. The present work investigates the aesthetic potential of histological morphology as a model for artistic creation, proposing the transposition of microscopic cellular configurations into abstract plastic compositions through a biomimetic approach. Visual analysis of high-resolution histological images representing epithelial, muscular and nervous tissues allowed for the identification of relevant features such as rhythmicity, stratification, fiber orientation and the extracellular matrix structure. Based on these observations, watercolor works on paper were created, a technique chosen for its ability to render the transparency and fluidity of biological structures. The results consist of a series of paintings that reflect a coherent visual logic derived from histological structures: layered compositions for epithelial tissue, directional shapes for muscular tissue and abstract synaptic networks for nervous tissue. The artistic interpretation does not aim at exact anatomical rendering but rather proposes an abstraction that preserves the organizational principles. This study confirms the relevance of histological morphology as an aesthetic and conceptual model, demonstrating the potential of the biomimetic method to build a bridge between science and art within contemporary visual practices.