Introduction:
In Pakistan, the patriarchal cultural values and male dominance in religious discourse have long shaped discussions on women's modesty, hijab, and piety. Pakistani youth are challenging these dominant narratives by rethinking Islamic discourse on social media, fueled by the rise of digital platforms. This study examines how social media is used for satirical resistance and the creation of alternative ways to express gendered piety.

Methods:
This study involves a qualitative thematic analysis of ten carefully chosen tweets on X (previously Twitter). The sample includes posts made by Pakistani users about women's modesty, hijab, morality, and gendered religious demands. Both visual and textual aspects were examined to determine recurring themes, symbols, and discursive techniques. The approach is guided by Heidi Campbell's Digital Religion theory, which views social media posts as hybrid religious objects that exist both online and offline.

Results:
The results show that satire and humor are employed as strategies to critique patriarchal readings of Islamic modesty and to highlight gender double standards in religious morality. The posts engage with religious authenticity by using Islamic references and, at the same time, challenging religious authority and cultural regulation of women’s bodies. Youth use irony, image juxtaposition, and local language to contextualize hijab and religiosity as individual and context-dependent rather than fixed religious duties.

Conclusions:
This research proves that Pakistani social media content is a hybrid site where the meaning of religion, gender, and authority are contested. This research also adds to the existing body of knowledge on digital religion, Islamic feminism, and Muslim youth activism by bringing satire to the forefront as a form of digital religious expression.